|Dance music was alive and well in Australia in 1992|
Joining both those hits on the top 50 was another Dutch techno duo's debut single, and the latest fusion of dance beats and Indigenous music to grace the ARIA chart.
|ARIA Top 50 Singles and Albums Chart - week ending April 19, 1992|
At the top of the chart this week in 1992, rock reasserted itself as Red Hot Chili Peppers stepped up to number 1 with "Under The Bridge".
Off The Chart
Number 95 "We We" by Angélique Kidjo
Peak: number 95
The world music star made her only ARIA top 100 appearance with this track from her major label debut, Logozo, which remains her highest charting album in Australia.
Number 94 "Far Gone And Out" by The Jesus And Mary Chain
Peak: number 88
Previous single "Reverence" had been banned in the UK (and promptly hit the top 10 there), but this follow-up was a pretty straightforward indie track, which finally gave The Jesus And Mary Chain their first top 100 placing.
Number 89 "Are You Ready To Fly" by Rozalla
Peak: number 88
We saw "Faith (In The Power Of Love)" as a breaker last week - and it was swiftly followed into the top 100 by another under-performing track from club star Rozalla.
Number 86 "Kissing The Wind" by Nia Peeples
Peak: number 86
Not quite as good as "Street Of Dreams", the latest from the actress/singer was consequently not as big a chart hit in either Australia or the US.
"Ain't Gonna Get" by Baby Animals
Peak: number 65
Given their debut self-titled album had recently spent six weeks at number 1 and was still in the top 10 this week in 1992, there was little chance a fifth track from Baby Animals would set the singles chart alight. The song's concert music video was mirrored on the CD single, which contained live versions of the band's first three singles as bonus tracks.
"Ripple" by The Church
Peak: number 62
Their last studio album, Gold Afternoon Fix, had yielded their biggest hit on the ARIA chart in the form of 1990's "Metropolis", but The Church enjoyed limited commercial success with eighth album Priest=Aura and its lead single, "Ripple". Unconcerned with such things, the band consider the more experimental release to be their creative zenith.
Number 49 "America: What Time Is Love?" by The KLF
Peak: number 40
After three top 5 hits (four, if you include "Doctorin' The Tardis"), The KLF were no more, having announced their retirement in a blaze of glory at the 1992 BRIT Awards in February. All that was left was for their other UK smash, "What Time Is Love?", to finally become a hit in Australia - and it did so (just) in the form of the reworked "America: What Time Is Love?" Even heavier than the original, the updated version of the stadium house track incorporated everything from "Aquarius" to "Ace Of Spades", and featured vocal contributions from Deep Purple's Glenn Hughes in addition to a new rap from Isaac Bello. I much preferred the original, which never advanced further than number 73 despite two attempts in 1991.
Number 43 "Help Yourself" by Julian Lennon
Peak: number 30
If it wasn't for the fact that he was coming of a number 1 single, I doubt this pleasant but kinda forgettable midtempo number by Julian Lennon would've got anywhere near the top 30. The title track of his latest album, "Help Yourself" would probably have benefitted from some beefed up production - as it was, it sounded a bit wishy-washy. At least the music video, in which Julian dressed up as various religious and spiritual characters, was fun.
Number 41 "Djäpana (Sunset Dreaming) (Gapirri Mix)" by Yothu Yindi
Peak: number 13 (4 weeks)
A month earlier, they won the ARIA Awards for Single Of The Year and Song of The Year - a distinction that no longer exists - for "Treaty (Filthy Lucre Mix)". This week, Yothu Yindi returned to the top 50 with another dance reworking of one of their songs. The original version of "Djäpana (Sunset Dreaming)" dated back to 1989's Homeland Movement album, from which it was released as a single with no success. Remixed by David Burnham, the song gave the Indigenous band another huge hit, which spent four non-consecutive weeks at its peak of number 13. The song was added to a repackaged Tribal Voice album - the original version would fall out of the chart next week and storm back into the top 20 at the end of May, with its new tracklisting seeing it go all the way to number 4.
Number 34 "James Brown Is Dead" by L.A. Style
Peak: number 7
Where 2 Unlimited led, fellow Dutch techno act L.A. Style followed with their debut single, "James Brown Is Dead". The brainchild of DJ/producer Wessel Van Diepen, who'd go on to launch Vengaboys, and rapper FX (real name: Frans Merkx), L.A. Style weren't just big in Australia and Europe, they also made inroads into the US. Although "James Brown Is Dead" only reached number 59 there, it sold enough copies to go gold and stayed on the top 100 for 20 weeks - apparently the first techno track to do well in that market. Of course, the Godfather Of Soul wasn't deceased - he'd live until Christmas Day, 2006 - and the song's unique title prompted all manner of answer tracks, like the not-that-inventive "James Brown Is Still Alive".
Number 19 "Skin To Skin" by Melissa
Peak: number 16
Shooting into the top 20 in its first week, "Skin To Skin" looked like it'd give soap star-turned-singer Melissa Tkautz her third top 5 smash. Once again co-written and co-produced by former Koo De Tah member Leon Berger, the song certainly sounded like another big hit. But then something unexpected happened - "Skin To Skin" went nowhere in its second week and then started dropping. At the end of May, no doubt after some emergency extra promotion, it ended up reaching its ultimate peak of number 16, but it quickly fell back again. Melissa's debut album, Fresh, still wasn't out yet, so it can't have been because people were buying that. Had she been a little hasty in leaving E Street to concentrate on her music career?
Next week: one Aussie girl group deserves another, with Teen Queens joined on the top 50 by a brand new flower hat-wearing five-piece. Plus, new hits from Prince, Metallica, Rockmelons and Midnight Oil.
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