|It was her highest charting single, but was it her best song?|
Meanwhile, other acts take their time to achieve their biggest hit. Twenty-five years ago this week, a singer who'd already released a dozen or so singles and won two ARIA Awards for Best Female Artist debuted with the song that'd peak the highest on the top 50.
|ARIA Top 50 Singles Chart - week ending September 22, 1991|
The biggest single of Bryan Adams' career - and I say that safe in the assumption that he'll never better it - was still at number 1 this week in 1991. By registering a ninth week on top, "(Everything I Do) I Do It For You" became the longest running chart-topper since USA For Africa's "We Are The World". The next target? The 11-week stretch at number 1 enjoyed by "Mull Of Kintyre/Girl's School" by Wings.
Off The Chart
Number 96 "My Body Says Yes" by Titiyo
Peak: number 96
This single from Swedish singer Titiyo Jah should've been bigger - here and in the US, where it peaked just outside the top 40 but still featured on American Top 40. Titiyo is Neneh Cherry's half-sister.
Number 87 "Romantic" by Karyn White
Peak: number 68
Another song that no doubt owes what Australian success it had to American Top 40 is this lead single from Karyn White's second album, Ritual Of Love. Produced by Jimmy Jam & Terry Lewis, "Romantic" topped the US chart.
Number 72 "Monsters And Angels" by Voice Of The Beehive
Peak: number 72
Having tried of releasing and re-releasing tracks from debut album Let It Bee, Voice Of The Beehive turned to album number two, the provocatively titled Honey Lingers. This lovely single flopped locally, but they'd finally have a big hit with its follow-up.
"Walking Down Madison" by Kirsty MacColl
Peak: number 58
Last week, Billy Bragg defied convention to venture into the ARIA top 50. This week in 1991, it was the turn of Kirsty MacColl, who'd provided backing vocals and appeared in Billy's music video for "Sexuality", to almost do the same. And, she peaked just outside the top 50 with a song that, like "Sexuality", was co-written by Johnny Marr. The hip-hop and dance-influenced "Walking Down Madison" was a change of musical direction for the British singer known more for UK hits like The Kinks cover "Days", "There's A Guy Works Down The Chip Shop Swears He's Elvis" and her remake of Billy's "A New England". It even featured a rap, from Aniff Cousins. The music video was shot on Madison Avenue, New York, and depicted the two faces of the city, as described in the song's lyrics.
Number 49 "Children" by EMF
Peak: number 49
Before we get to this week's big new entry, we have three minor top 50 hits that didn't progress any further than their entry positions. First up, it's the song that prevents EMF from being a one-hit wonder (in the strictest sense of the term) in Australia. By sneaking into the top 50, "Children" achieved what previous single "I Believe" couldn't, but came nowhere near matching the success of "Unbelievable". In Australia, this was the last we saw of EMF on the top 100, while in the UK, they were finally able to match the number 3 peak of "Unbelievable" in 1995 with a cover of "I'm A Believer", recorded in collaboration with comedy duo Vic Reeves and Bob Mortimer.
Number 45 "Hieronymus" by Clouds
Peak: number 45
Earlier in 1991, their Loot EP had almost reached the top 20, but like so many other Australian indie rock bands, the going had become tougher for Clouds on the singles chart and latest release "Hieronymus" puttered out here at number 45. The track, which got its name from painter Hieronymus Bosch, appeared alongside Loot track "Souleater" on the band's upcoming album, Penny Century. That, at least, received a better reception, peaking at number 23 on the albums chart and staying in the top 100 for over half a year.
Number 44 "She Talks To Angels" by The Black Crowes
Peak: number 44
Things were actually looking up for The Black Crowes who broke into the top 50 for the first time with this rock ballad from debut album Shake Your Money Maker. The song, about the type of person the band encountered on the Atlanta club scene as they were starting out, also provided them with their US breakthrough. After the top 30 success of "She Talks To Angels" on the Billboard chart, "Hard To Handle" was reissued and reached number 26 there, The Black Crowes' highest ever chart position in the States (and an improvement of nearly 20 places on its original peak). The band's biggest hit in Australia was still to come.
Number 35 "Break In The Weather" by Jenny Morris
Peak: number 2
"You're Gonna Get Hurt". "Body And Soul". "You I Know". "She Has To Be Loved". These are all songs I like much better than "Break In The Weather", which is Jenny Morris's biggest hit in Australia, held off the number 1 spot by Big Audio Dynamite II's "Rush". The lead single from third album Honeychild, the track came with a memorable video that utilised a ventriloquist's dummy and body parts from toy dolls as musical instruments - something that kind of creeped me out, which may or may not have been the intention. I didn't hate "Break In The Weather" - it was certainly a much better lead single than "Saved Me" had been - but I could never really get into it, either. Not for the first time, it seems I was alone on that score, although I suspect "Break In The Weather" might not have been quite as big had it appeared on Jenny's debut album and certainly benefitted from her increase in popularity since those days.
Next week: even Bryan Adams' record company are getting bored with him being at number 1, plus two '80s acts known for one big single return to the top 50 and another member of Bon Jovi goes solo.
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