|Chances were that Neil Finn, Paul Hester and Nick Seymour's new band would be big|
Thirty years ago this week, a band that was almost guaranteed to be successful debuted on the ARIA chart with their first single. Given the musical pedigree of its members, expectations were high - and they did live up to them... eventually.
|ARIA Top 50 Singles Chart - week ending August 3, 1986|
A person few would have expected to score a number 1 single was in exactly that position this week in 1986. Samantha Fox held on to the top spot with "Touch Me (I Want Your Body)" for a third week.
Off the chart
Number 95 "Bleeding Heart" by The Johnnys
Peak: number 71
Australia's Western-themed rockers reached the end of their chart career with this fourth and final single from Highlights Of A Dangerous Life.
Number 91 "The Honeythief" by Hipsway
Peak: number 91
I'm a big fan of this UK and US top 20 hit by Scottish band Hipsway, having come across it in recent years. In 1983, it failed to make much of an impression in Australia.
Number 46 "Nature Of The Beast" by The Angels
Peak: number 27
Even though it feels to me like The Angels had a new single every other month in the '80s, it had actually been more than a year since they'd last been in the top 100. And, they came back with a vengeance. The lead single from Howling, "Nature Of The Beast" performed better than their singles had in a while and returned them to the top 30 for the first time since 1983.
Number 44 "Here To Go" by Devo
Peak: number 40
It'd been five years since Devo-mania had swept Australia - and what a quiet five years it had been on the Australian chart for them. Even though they'd kept releasing music since their three hits of 1981 (DEV-O Live, "Working In The Coal Mine", "Beautiful World"), nothing had peaked higher than number 45 (1982's "Peek-A-Boo!"). Was it all over for the men in flowerpot (actually, "energy dome") hats? Or could a new single from a new album rekindle the public's interest? Well, given that album, Shout, actually came out in late 1984 (but missed the top 100) and it took until August 1986 for this single to graze the bottom of the top 40 in Australia, things weren't going so great for the band. As a result of the poor performance of Shout, Devo were dropped from their record label and abandoned plans to tour in support of the album.
Number 42 "Underground" by David Bowie
Peak: number 26
Last time we saw David Bowie on the ARIA chart it was with the theme song from Absolute Beginners, a film he appeared in. His next single was also taken from the soundtrack of one of his movies - this time, fantasy film Labyrinth, in which he played goblin king Jareth. I don't think I actually saw Labyrinth at the time and "Underground" is only vaguely familiar to me, but I recall another song from the soundtrack, "Magic Dance", much better, even though it wasn't released as a single in Australia. After a few years spent on various one-off projects, David got back to releasing studio albums in 1987.
Number 39 "Mean To Me" by Crowded House
Peak: number 26
I wonder if Crowded House would've been as successful if they'd stuck with their original name: The Mullanes. Probably. Whatever they were called, interest in the new project formed by ex-Split Enz members Neil Finn and Paul Hester was high given the nine top 20 hits their former band had amassed between 1977 and 1984. Once the line-up was settled to Neil, Paul and Nick Seymour, the younger brother of Hunters & Collectors' frontman, Mark Seymour, the band became Crowded House and recorded their debut album in America.
Things didn't exactly get off to a flying start, however. Despite being, for me, the best song they ever released, debut single "Mean To Me" was only a moderate hit and the accompanying self-titled album wasn't an immediate success. Crowded House spent the first 25 weeks of its lengthy top 100 chart run not getting any higher than number 25. As we'll see in coming months, things would get worse before they'd get better... but they would get considerably better, justifying any assumption in the band's ability to sell records.
Next week: new singles by two of the biggest American male artists of the mid-'80s. Plus, it's the final week of the large-format chart.
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